Planet Of The Apes is one of those sci-fi films that everyone has seen or at least knows about. It is perhaps one of my favourite sci-fi films and I think that Charlton Heston is great in it. I especially like the ending where Chuck discovers… well that would be spoiling the film. This is so much better that the Tim Burton remake from a few years ago.
Yeah, I know that I haven’t really said much here, suffice to say that it is a very good film.
Cover of Foxy Brown
Directed by Jack Hill
Produced by Buzz Feitshans
Written by Jack Hill
Starring Pam Grier
Antonio Fargas
Peter Brown
Terry Carter
Music by Willie Hutch
Cinematography Brick Marquard
Editing by Chuck McClelland
Distributed by AIP
Release date April 5, 1974
Running time 94 min
Country United States
Language English
Foxy Brown is one of blaxploitation’s most iconic films, featuring Pam Grier in the title role, but it is I think a little too over the top with its gratuitiveness, especially with the violence perpetuated towards Foxy. I know that exploitation films are supposed to feature lots of sex, violence and nudity, but the scenes of Foxy being held captive at the farm I felt were something that made me a little uneasy and that the film’s makers had gone a wee bit too far.
Still other than that complaint the film is entertaining and does feature all the hallmarks of a good blaxploitation movie; Pam Grier, 70s fashion, big afros and lots of funky soul music. Sure the acting is terrible in some parts and the dialogue does tend to be a bit clichéd and awkward at times, but I still enjoyed the film mostly.
I know that I have been really slack with this blog but hopefully things will start to pick up. After weeks of not watching any movies at all I have decided to start watching some again. I know that I have made these promises before but here are just some of the films that I plan to watch this year.
I wonder how many of these that I will actually watch.
Hopefully I can also clean up the previous posts that I have made, which I have already started to do.
Image via Wikipedia
Directed by Howard Hawks & Richard Rosson
Produced by Howard Hughes
Written by
Scarface by Armitage Trail
Screenplay by Ben Hecht
Starring Paul Muni
George Raft
Ann Dvorak
Karen Morley
Boris Karloff
Cinematography Lee Garmes & L.W. O’Connell
Editing by Edward Curtiss
Distributed by United Artists
Release date April 9, 1932
Running time 93 minutes
Country United States
Language English & Italian
Firstly this is the original Scarface – AKA Scarface Shame of a Nation, not the 1983 version featuring Al Pacino. This is the 1932 version featuring Paul Muni and George Raft and directed by Howard Hawks. It is probably one of the most celebrated gangster films of the 1930s, with Paul Muni giving a great, charismatic performance as the ambitious villain Tony Camonte. His performance is perhaps the equal of James Cagney’s in Public Enemy or Edward G Robinson in Little Caesar, although he seems to be rather forgotten today. One criticism of the picture I have is that I do think that Boris Karloff was horribly miscast as the rival gangster Gaffney. It is very hard to believe that someone with a proper English gentleman’s voice (and what a voice) would be a hard-nosed gangster from Chicago.
This was a very controversial film in its time, with the censors demanding lots of cuts and even am alternative ending because it was felt that this movie glorified the life of gangsters. Fortunately the film was being financed by the richest man on Earth at that time, Howard Hughes, and he was able to make these changes to the picture, although when the censors still would not pass the movie he just released the original version in states that had very relaxed censorship regulations.
There were also several accidents on set with Gaylord Lloyd, brother of silent screen comedian Harold Lloyd, losing an eye after being shot by live ammunition!!!
Directed by Jim O’Connolly
Produced by Charles H. Schneer & Ray Harryhausen
Starring James Franciscus
Gila Golan
Richard Carlson
Laurence Naismith
Freda Jackson
Gustavo Rojo
Music by Jerome Moross
Cinematography Erwin Hillier
Editing by Henry Richardson & Selwyn Petterson
Distributed by Warner Bros.
Release date September 3, 1969
Running time 96 minutes
Country United States
Language English
You would think that any movie that combines cowboys with dinosaurs would be the best film ever made, but that is not the case with Valley Of Gwangi. This is not to say that it is a bad movie, it just doesn’t live up to the potential of the premise of the film. It takes 45 minutes until Gwangi, an Allosaurus (not a T-rex), appears.
Despite all this the film is still pretty good. It is impossible to dislike anything that features the stop-motion magic of Ray Harryhausen, although he is not at the top of his game here. Some of the animation is a bit jerky and not as smooth as it should be, for example with the flight of the Pteradactyl or in the scenes where Gwangi battles the elephant. Despite this the film is still enjoyable.
Directed by Charles Barton
Produced by Edward Nassour
Written by Earl Baldwin, Martin Ragaway & Leonard Stern
Starring Bud Abbott
Lou Costello
Clyde Beatty
Frank Buck
Shemp Howard
Joe Besser
Music by Walter Schumann
Distributed by United Artists
Release date May 4, 1949
(New York City, New York) May 27, 1949
Running time 80 mins.
Language English
This was one of five independent films that Abbott & Costello made throughout their career. It doesn’t have the budget of their studio films and in fact has the feel of a TV production about it. The sets are rickety and the plot at times is quite un-PC, but the film is enjoyable and a lot funnier than Abbott & Costello Meet The Mummy which I previously reviewed, but nowhere near as good as Hold That Ghost or Abbott & Costello Meet Frankenstein. They do share the spotlight with some very talented co-stars. Big game hunters Clyde Beatty and Frank Buck were big stars in the 40s and have cameos here, as does Shemp Howard of the Three Stooges and Joe Besser (who would also briefly become a Stooge) with his big sissy persona. They provide a few chuckles. Former World Heavyweight Boxing champion Max Baer and former Heavyweight contender Buddy Baer appear in the film as thugs, with Max making a joke about Buddy’s defeat by Joe Louis‘ knocking him out.
This is just prior to the slide in quality that A&Cs films would suffer throughout the 50s but they were a little hit and miss at this point. Africa Screams is good in comparison to what was about to come. I should also mention that Abbott is quite abusive to Costello in this film and this is perhaps the most un-likable that I have seen Bud.
Africa Screams is in the public domain and there are many poor copies of it about. The best version is available on Amazon for $7.98.
Directed by Mark Hartley
Produced by Craig Griffin & Michael Lynch
Written by Mark Hartley
Music by Stephen Cummings
Cinematography Germain McMicking & Karl von Moller
Editing by Jamie Blanks, Sara Edwards & Mark Hartley
Distributed by Madman Entertainment
Release date 28 August 2008
Running time 103 minutes
Country Australia
United States
Language English
This is an interesting documentary that looks at some of the exploitation films made in Australia in the 70s & 80s. It’s really amazing how much crap our film industry made in what was supposed to have been its golden age. It seems that if an Aussie film wasn’t filled with gratuitous nudity it would be filled with gratuitous violence. One thing that is glaringly obvious is that very few of the films mentioned are any good, but it is still a watchable doco.
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