Directed by Lowell Sherman
Produced by William LeBaron
Written by Mae West (play Diamond Lil)
Harvey F. Thew & John Bright
Starring Mae West
Music by John Leipold (uncredited)
Cinematography Charles Lang
Editing by Alexander Hall
Studio Paramount Pictures
Distributed by Paramount Pictures
Release date January 27, 1933
Running time 66 min
Country United States
I’ve always wanted to see this film for a couple of reasons. Firstly I do like Mae West’s double entendres and one liners and secondly we get to see a young Cary Grant. Here he is the one who is being lusted after by West, which is strange since in years to come it would be Grant who was the older man lusting after and getting the younger woman. It’s odd to see the roles reversed.
Whilst I admit that I enjoy West’s wit I must also admit that she is a bit of a one trick pony in that he sly one liners are the only things she can really do. Worse still she hogs the spotlight so that nothing of interest occurs when she is on the screen.
When compared to other comedians of the 1930s West’s act isn’t as interesting. W. C. Fields, who West is often compared with, had some amazing one liners in his films too but he also was pretty good with the slapstick stuff and could share the spotlight with others who were funny too, while Groucho Marx had his brothers to play off, even if we had to endure a boring Harpo harp recital or Chico putting the audience to sleep with his piano playing. West too insists on showing off her non-comedic talent when she decides to sing… and it is excruciating. Unlike when Groucho sings West is serious and is not doing it for laughs so it makes it even more intolerable. I guess that Mae wanted to sing and no one had the guts to say no?!
The film is interesting and does feature Mae reciting he most well known line to Grant, “Why don’t you come up sometime and see me?”, but the film could have been better in my opinion.
Directed by David Swift
Produced by Walt Disney (uncredited)
Associate Producer: George Golitzen
Written by Novel: Eleanor Porter
Screenplay: David Swift
Starring Hayley Mills
Music by Paul Smith
Cinematography Russell Harlan
Editing by Frank Gross
Distributed by Buena Vista
Distribution Release date May 19, 1960
Running time 134 minutes
Country United States
Pollyanna was released into cinemas 50 years ago last Monday. You would think that Disney would be making a big song and dance about this popular and well remembered film reaching the half century mark but it seems that the Walt Disney Company does not really value its past live action films. Heck, Disney doesn’t really value its animated classics either, and simply views them as a cash cow to be released on video or DVD every seven years. In fact it is pretty obvious that all Disney cares about these days is making horrendous live action teen comedies that can sell heaps of merchandise. I doubt that a film like Pollyanna would be made today as it would be difficult to fit in any fart jokes or sell merchandise with the sweet story.
One thing that I think needs to be said is that despite Disney’s reputation today as being just kids stuff, he could still get the biggest stars to appear in his films. Fine actors such as Jane Wyman and Karl Malden appear as do Agnes Moorehead and Ed Platt, who went on to play the Chief of Control in Get Smart but played supporting roles in a number of major films (including a brief part as Cary Grant‘s lawyer in Hitchcock’s North By Northwest). However the real star of the film is Hayley Mills, who played the little girl whose positive attitude brought a whole town together. She is really good in this film and went on to become a huge child star in the 1960s, mainly in other Disney films.
This is a very entertaining film, in the Disney tradition, it’s just a shame that Disney today doesn’t really care at all about it.
Directed by Alfred Hitchcock
Produced by Alfred Hitchcock (uncredited)
Written by Ernest Lehman
Starring Cary Grant
Eva Marie Saint
Music by Bernard Herrmann
Cinematography Robert Burks, ASC
Editing by George Tomasini
Distributed by Metro-Goldwyn-Mayer
Release date(s) July 28, 1959 (US)
Running time 136 minutes
Country United States
Along with Psycho and The Birds, North By Northwest is perhaps Alfred Hitchcock’s best known work. Of all of Hitchcock’s films North By Northwest is probably the one that is the most critically acclaimed. It is also the film that contains a couple of the most well-known scenes in all of Hitch’s movies and indeed of all of cinema. While the shower scene from Psycho may be the most famous of Hitchcock’s signature scenes, Cary Grant being chased by the crop duster through the corn field in North By Northwest as well as the backdrop of Mount Rushmore while Grant and Eve Marie Saint battle their would be assassins have both become just as iconic in their own right.
In this exciting movie Cary Grant plays Roger Thornhill, a nobody advertising executive who is mistaken for fictious spy George Kaplan. He is initially kidnapped by a couple of thugs who believe he is the spy Kaplan and who try to murder him. Once he escapes a cat and mouse adventure begins, with Thornhill being chased across the United States as he searches in vain for Kaplan. The film is just thrilling in every sense, with this being one of Grant’s best films. Bernard Herrmann’s score is once again brilliant and matches the excitement of each scene. In my opinion this is simply a great film that everyone should see once in their lifetime.
* Early in the film watch for a cameo by Ed Platt as Thornhill’s lawyer. A few years later Platt went on to play the Chief in Get Smart, my favourite TV show of all time!!!