Produced by Cecil B. DeMille
Written by Fredric M. Frank, Theodore St. John, Frank Cavett & Barré Lyndon Narrated by Cecil B. DeMille
Starring Betty Hutton
Music by Victor Young
Cinematography George Barnes
Editing by Anne Bauchens
Distributed by Paramount Pictures
Release date(s) January 10, 1952 (1952-01-10)
Running time 152 minutes
Country United States
We bring you the circus — that Pied Piper whose magic tunes lead children of all ages, from 6 to 60, into a tinseled and spun-candied world of reckless beauty and mounting laughter; whirling thrills; of rhythm, excitement and grace; of daring, enflaring and dance; of high-stepping horses and high-flying stars.
But behind all this, the circus is a massive machine whose very life depends on discipline, motion and speed …. a mechanized army on wheels that rolls over any obstacle in its path …. that meets calamity again and again, but always comes up smiling …. a place where disaster and tragedy stalk the Big Top, haunt the backyards, and ride the circus rails …. where Death is constantly watching for one frayed rope, one weak link, or one trace of fear.
A fierce, primitive fighting force that smashes relentlessly forward against impossible odds: That is the circus. And this is the story of the biggest of the Big Tops …. and of the men and women who fight to make it — The Greatest Show on Earth!
The Greatest Show On Earth won the Academy Award for Best Picture in 1952 but is often called the worst Best Picture of all time. This is mainly because 1952 was the year that other classics such as High Noon, Singin’ In The Rain, Ivanhoe, The Quiet Man and Moulin Rouge were released. Despite what critics may say and the reputation that it has had hoist upon it, The Greatest Show On Earth is still a very fine film. I am not just saying this because The Greatest Show On Earth was my favourite show as a kid either. Sometimes it is good to watch a big budget, dumb film with lots of colour and action and FUN!!! It is not just worthy films that should be considered great, not all films have to have a message or feature dramatic performances, sometimes it’s enough to be able to much on some popcorn and be thoroughly entertained for two and a half hours. I suspect that if The Greatest Show On Earth had not received the Oscar for best picture in 1952 it would be much more respected than it is today.
I am not a wanker movie reviewer (obviously) who has try to look intelligent or profound with what I say. I don’t have to try to pretend to shun the mainstream for whatever is hip. I am allowed to say that I like a film that many professional critics have maligned, which is the case here. Let’s face it, I still like The Greatest Show On Earth and would say that of the other films that were nominated for Best Picture in 1952, only High Noon can compare to it. (The same can be said for The Sound Of Music, but that was omitted from the nominations for best picture!)
In hindsight I do admit that The Greatest Show On Earth is a big, dumb movie, but that is no bad thing. The best way to enjoy this film is to turn your brain off before watching it and to just take in the colour and spectacle of the movie. It’s fun to watch the film and to reminisce about the old days of the circus, and to watch the cameos by actual renowned circus performers like Emmett Kelly and Lou Jacobs. Charlton Heston is Ok as Brad the circus owner while Betty Hutton is downright annoying at times as aerialist Holly. I do like James Stewart’s fine role as Buttons the Clown and find him intriguing, especially as he does not take his make-up off at all in the picture.