The Gold Rush

gold3Directed by Charlie Chaplin
Produced by Charlie Chaplin
Written by Charlie Chaplin
Starring
Charlie Chaplin
Georgia Hale
Mack Swain
Tom Murray
Henry Bergman
Malcolm Waite
Music by Charlie Chaplin,
Carli Elinor, Max Terr &
James L. Fields
Cinematography Roland Totheroh
Editing by Charlie Chaplin
Distributed by United Artists
Release date June 26, 1925
Running time Taken at 24 frame/s: Original cut 96 min.
Cut version 82 min.1942 reissue 82 min.
Country United States
Language English

Today I decided to watch Charlie Chaplin’s The Gold Rush, which is perhaps his most referenced film that features some of his (and cinemas) most well-known scenes. Whilst the film has undoubtedly dated quite a bit since it was first released in 1925, it still contains many giggles for the viewer. This is of course the film that features the famed scenes of Chaplin eating the old boot, the dancing bread rolls (which was parodied by Grandpa Simpson) and the cabin balancing perilously on the edge of a cliff while the tramp and Big Jim try to scramble out before it topples over.

I found this film to be quite amusing and interesting, but there weren’t as many ‘laugh out loud’ moments as I had when I watched The Circus, which was released three years after The Gold Rush. Perhaps the reason for that was because even though I had never seen the Gold Rush, I had seen all the above mentioned famous scenes and had some familiarity with the film. (Much like Keaton’s Steamboat Bill Jr.) I felt I knew the film before I had even seen it. The film did not have the sentimentality or warmth of 1931s City Lights either.

All this is not to say that The Gold Rush The Gold Rushis a bad film, it is actually very good, as it keeps the viewer’s interest right through to the end. The version I saw was the 1942 re-release with Chaplin’s added music and narration, which made me wonder how the film could have functioned at all as a silent movie. I found that the narration enhanced my enjoyment of the film greatly, as Chaplin seemed to have a poetic way with words, however I would not like to see this sort of thing added to all silent films.

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